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Month: March 2013

SMA TAGS: The Implications of Set-Theory Analysis on the Music of Gesualdo

On the 19th April I will be presenting my paper The Implications of Set-Theory Analysis on the Music of Gesualdo at the Society for Music Analysis Graduate Student Conference in Keele. The abstract for the paper is below. Although the music of Don Carlo Gesualdo, Prince of Venosa (1566 – 1613) was conceived modally, many passages of his music depart from modal rules and others are conceived chromatically. Yet, one aspect that remains constant throughout his compositions is his use of interval structure. Composing using patterns of intervals originating in modal theory and the sixteenth-century understanding of ancient Greek music, Gesualdo…